![]() ![]() ![]() Although some scholars have claimed that ‘much of the decoration on arms and armour is simply ornamental’, power dynamics and paradoxes between the genders during the Renaissance were exploited in the decorative processes of etching and embossing to personify key ideas such as bravery, perils, fortune, virtue, and victory, in either male or female forms. During these times of occupation, particularly during the Italian Wars, armourers like the Negroli family of Milan were commissioned to make many garments for princes such as Charles V, and so these items represent elite ideals of power and glory. The immense amounts of practical and ceremonial arms and armour that these conflicts required fuelled this so-called golden age of armour production seen in key centres of production such as Milan, Augsburg, and Tyrol. The first half of the sixteenth century was a period dominated by repeated conflicts in Europe.
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